George Khoury gives a nice wrap-up about the trials and tribulations of working on his history of Image Comics, and of successfully getting all seven Image founders together for their recent panel at Comicon (the first-ever panel with all seven members in attendence). It (along with links to the actual panel) is at:
http://comicbookresources.com/news/newsitem.cgi?id=11519
Again, great job George, on both your book, and the Comicon panel!
Westfield Comics has posted a preview of BACK ISSUE #24’s Michael Golden interview at:
http://westfieldcomics.com/wow/frm_feat_181.html
Just an aside: I used to get all my comics from Westfield back in college, and their customer service was always exemplary. Great company!
All our newest books and mags are now officially in the mail, including the limited edition of the John Romita…And All That Jazz hardcover (52 copies, with custom Romita sketches in each; sorry folks, they sold out quickly). So if you’ve been patiently waiting while we get caught up on shipping after Comicon, look for your stuff in your mailbox soon. And thanks for hanging in there with us; we’ll be back to same-day and next-day shipping on orders by the end of this week.
After a week of vacation, we’re back at TwoMorrows HQ, to a huge pile of orders and emails. So I’ll have to ask everyone’s patience, as we slowly dig out of the rubble. We hope to have everything caught up by week’s end, including shipping of all our new publications that were released over the last two weeks while we were gone.
In the meantime, enjoy this photo of Roy Thomas and your’s truly, basking in the afterglow of Alter Ego’s Eisner Award for “Best Comics Related Periodical”, at our Comicon booth. Photo by Dann Thomas.
Last day of the con, and it started with a bang. The annual Jack Kirby Tribute Panel was held at 10:30, and featured Neil Gaiman, Darwyn Cooke, Erik Larsen, Kirby family lawyer Paul Levine, and moderator Mark Evanier. Mark took the first 30 minutes of the panel introducing Kirby family and friends, giving them the opportunity to mention upcoming Kirby stuff, and there was a really nice, touching letter about Jack written by Joe Simon, which was read by Steve Saffel (who’ll have something really, really exciting to announce soon for Simon & Kirby fans).
Darwyn Cooke had one of the most moving comments about Jack, discussing The King’s integrity, and just his human side. Neil Gaiman referred to the (aforementioned) Steve Ditko documentary by Jonathan Ross, and a comment made by Stan Lee where he basically comes out and says he doesn’t consider Ditko to be the co-creator of Spider-Man (which of course leads me to think he feels the same about Kirby as a co-creator). Lot of food for thought there. Erik Larsen hit a real personal note for me, commenting on how his favorite work in Kirby’s “Klik-Klak” saga in Kamandi (which is the first Kirby work I discovered as a kid). It was a rousing, funny, and touching 1.5 hours, and it’ll all be transcribed in an upcoming issue of the Jack Kirby Collector.
The remainder of the day was spent saying goodbyes to our friends, and then hectically packing up all our leftover booth stuff at the end of the show, and getting it shipped out. Some went to Chicago for our booth at Wizard World: Chicago, and the rest back to Raleigh, NC.
Comic-Con continues to grow each year, but I’m not seeing any real growth in the “comics” area. It’s mostly movies, gaming, etc., etc., and it’s gotten to the point where they could almost spin off the comics stuff into its own, solo con, and I don’t think we’d see any real difference in our readership’s attendence. Maybe other retailers would, but as much fun as the con is, it’s gotten so huge, that a lot of the fun of years past is missing. We’ll be back next year I’m sure (already paid for our booth), but this thing has gotten to be a monster. They’ve run out of hall space and hotel rooms, and the traffic’s ridiculous. But it’s in San Diego until at least 2012, so we’ll just have to see where it goes from here.
Saturday was a blur of activity, as it’s usually the busiest day of Comic-Con, with the largest crowds and most panels. This year, Saturday sold out months in advance, so there was no on-site ticket sales. This made for no long lines surrounding the convention center, and the crowd seemed to flow much more smoothly than in years past. (In fact, the crowd seemed to be not as large as the last couple of years’ Saturdays; I suspect the Con set a lower number of ticket sales than were allowed in the last two years; supposedly the Fire Marshall almost shut the con down last year, due to overcrowding.)
Spent the day pressing the flesh with people at our booth. It was nice seeing our regulars; guys like Jerry Boyd, Carl Taylor (who we hadn’t seen here in a few years), Clayton Moore (not the Lone Ranger), Dr. Mark Miller, Michael Zuccarro, Glen Gold, Pete Von Sholly, and so many others who we only get to see once a year in San Diego. Got to meet John Lowe (author of our new book Working Methods) in person for the first time; we know so many of our contributors only through phone and email correspondence, so this is my favorite part of Comicon. Also, Roy Thomas was on hand (as he was Friday and Sunday) to meet a sizeable line of people wanting his autograph, so it was fun to get to speak to him in person, instead of always by phone and computer.
All in all, just a crazy day. I was supposed to have dinner with Lisa Kirby, Mike Thibodeaux, Rick French, and Rand Hoppe, but after figuring the logistics, plus having two small kids that needed their sleep (and me not having had much the night before, because of the Eisner Awards ceremony), I had to opt out. The extra snoozing did me a lot of good, as I was much more awake on Sunday. More soon!
Comic-Con’s a distant memory now, but what an experience it was! The Image Founders Panel went off without a hitch, with all seven founders graciously showing up for the hour-long, jam-packed event that was their first time appearing on a panel together (they’ve done panels before of course, but never with all seven on the same panel). George Khoury did a fabulous job moderating the extremely high-profile shindig, and it’s nice to know that these seven guys could take time out to reminisce, even though they weren’t plugging anything for themselves personally. (And despite a lot of fans thinking there’d be major fireworks—evidenced by the noticeably louder roar when Rob Liefeld first entered the room—these guys all respect each other, and have done a lot of growing up in the last 15 years.)
The Eisner Awards on Friday night were great. Despite an overly long ceremony, there were some memorable moments. Two actors from “Reno 911” got the house rocking with their presentation, but the best had to be the very last presenters, British TV celebrity Jonathan Ross, and writer Neil Gaiman. I won’t go into all the details of it, but Jonathan’s amazing ad libbing ended with he and Neil kissing, and Neil overall very flustered (in a most hilarious way). At one point, I was laughing so hard tears were streaming from my eyes, and I was having trouble catching my breath. (Sidenote: Jonathan and I spoke by phone a couple of months ago about his new documentary called “Finding Steve Ditko”, and was kind enough to drop a copy off at our booth while I was off at lunch. So while I missed meeting him personally, I’m really looking forward to viewing it. From what both Rand Hoppe and Neil Gaiman said about it, this is something comics fans are definitely going to want to see.)
Of course, the Eisner Awards are extra fun when you actually win one, and it was a delight to see Roy Thomas accept an award for Alter Ego as “Best Comics Related Periodical”. The category had us up against both magazines and journalistic websites this year, so the competition was fierce. Roy was one of Comic-Con’s guests of honor this year, so I’m glad he was on hand to accept personally (or I’d have had to go up there and make an idiot of myself). Kudos to everyone who helps with the magazine, including Jim Amash, PC Hamerlinck, Michael T. Gilbert, Bill Schelly, and designer Chris Day. I know firsthand how hard you guys work on the mag, and it’s a well-earned honor.
More on the remaining Comic-Con days when I get a minute; it’s time to take the kids to visit a big Mouse in Anaheim!
NEWS FLASH! Alter Ego wins Eisner Award! All seven Image founders show up for panel! More details soon; gotta go open the booth for Day Three!
I’m abloggin’ from sunny San Diego (actually, mooney SD, since it’s 10pm here, and 1am back in North Carolina, whose time zone I’m still on). After a remarkably uneventful flight on Monday, I spent Tuesday setting our booth up with the able assistance of Modern Masters editor Eric Nolen-Weathington. Yeah, Comicon doesn’t actually open until Wednesday night, but it’s gotten so huge that if you try to get everything moved in on Wednesday, you’ll never get through the lines of other exhibitors making use of the loading docks, elevators, parking decks, etc. So we end up having to travel on Monday, spend all day Tuesday setting up, and then kill time until the 5:30 pm opening on Wednesday (which we did nicely by taking our kids to the San Diego Zoo; special thanks to Scott Shaw! for the free zoo tickets he supplied us with, compliments of his late father who used to be head of security there).
Wednesday night is what Comicon calls “Preview Night”, which was originally meant to be a short, 3-hour chance for the press to show up and get their news stories in the pipeline early, to bring in the big crowds for the weekend. Since the con is already sold out of 4-day passes (which got you into the Preview Night as a bonus), they’re offering 3-day passes for the first time (which don’t include Saturday, but also get you into Preview Night). I guess all the people that are missing out on Saturday decided to make up for it, cause Preview Night was slammed to the walls with people, in the kind of crowd I’ve never seen that early in the week during my 14 years attending the con. It’s time for Comicon to just bite the bullet and go to a full 5-day show, IMHO. They hardly need “Preview Night” to get the big crowds coming in anymore.
Today (Thursday) was very, very busy, and filled with so many great moments that my head is still swimming trying to take it all in. After our poor 2-year old daughter was up all night barfing all over our hotel room, I headed over this AM after only a couple of hours of sleep, to get ready for the TwoMorrows Panel. It was moderately attended, but it was a lively crowd that genuinely seemed to enjoy our Powerpoint presentation of new and upcoming offerings, and business at our booth was steady, and at times ridiculously hectic. My buddy Kevin Shaw showed up with his usual batch of junk food sustenance for Eric, Tom “The Comics Savant” Stewart, and Rand Hoppe to keep our blood sugar at the requisite high levels. (I never have figured out why Kevin takes it upon himself to bring us stuff to eat, but I’m not knocking it; he knows my weakness for chocolate, and always drops off something that does the trick. Thanks, KS!) Somehow, a cooler full of ice and soft drinks also ended up under our table; we’ve got guardian angels looking out for us every year, it seems.
One of the best parts of Comicon for me is the level of Kirby Krackle that permeates that giant convention center. It all seems to gravitate toward our booth each year, and I finally think I figured out why. As I lay awake at 3:30 Tuesday AM (which is like 6:30 AM back home, so I was wide awake), I thought back to my one, brief meeting with Jack Kirby. In flashing back to 1991, I tried to remember just where, in relation to the snack bar, the booth was where I got to shake The King’s hand, and tell him how influential he’d been to me. I’ve got to dig out my program book from 1991 to make sure, but I’m 99% convinced that the booth we’re in now, is the same space Kirby was in that year! Just one in a long string of really weird coincidences that’ve taken place in my 13 years of editing the Jack Kirby Collector.
Anyway, we always find amazing Kirby art at Comicon, and no exceptions this year. We found the pencil drawing Jack did for Paul and Linda McCartney in the early 1970s, when they met at a “Wings” concert in Los Angeles (the art features Magneto levitating Paul and Linda and a couple of band members). It’s just an amazing piece of art, and Rand Hoppe brought his 11″ x 17″ format scanner, and got scans of that and several other rare and unseen Kirby pieces for the Jack Kirby Museum (www.kirbymuseum.org), thanks to the generosity of Mike Thibodeaux and a host of other art dealers. Can’t wait to see what makes its way to our booth over the next three days. (And a big thanks to David Schwartz for an extra special piece of art that came my way; you know what I’m talking about, David, and I can’t thank you enough.)
My strangest occurrence so far this year? Well, we had our printer ship boxes of our new releases to our hotel. When I picked them up upon our arrival, and got them to our booth and started opening them, the one that was supposed to contain some of our copies of BACK ISSUE #23, instead contained two bed comforters, and a note from the (as I found out today) head of housekeeping at our hotel, saying they’d been washed 120 times. The hotel confirmed that these were their comforters and they’d asked someone to ship them somewhere. What I (and the hotel manager) can’t seem to figure out is, why someone opened up one of our magazine boxes after they arrived, took our mags out, put two comforters in, sealed the box back up, and left it there for us to pick up when we arrived? And more importantly, where are my friggin’ magazines?!? (I suspect they were shipped off to whoever was supposed to get those comforters, but the hotel’s being kinda tight-lipped about it.) More as things develop, but we’re having (at the hotel’s expense) more copies of Back Issue #23 shipped here for Saturday delivery, and I think we’ve got enough copies here to last till the new ones arrive.
We had well-attended signings today at our booth with Michael Golden and Charles Vess, and Roy Thomas arrived late in the day, to get ready for his slate of panels and TwoMorrows signings over the next three days. So I’ll sign off now, and get some rest; looking forward to seeing George Khoury host the Image Founders Panel tomorrow; should be something the whole place’ll be buzzing about.
For the next two weeks, TwoMorrows will be closed, as we embark on our annual pilgrimage to sunny San Diego, CA for Comicon. If you’ve never been, go. It’s worth every penny it costs, just to see it at least once. This is my 13th consecutive year, and 14th in total, and despite how much I hate to fly, I suck it up for this one. Wouldn’t miss it (and all the friends I only get to see once a year) for anything. (And man, you wouldn’t believe the Kirby art that turns up at our booth each year…)
Wife/partner Pam and daughters Lily and Hannah Rose will be in tow as usual, finding ways to enjoy themselves while I do the comic book thing, and then it’s off to other parts of Southern California for more family fun. It’s been one heck of a year, and a little R&R is much needed, both by me, and my TwoMorrows compatriots who’ll be there too. Hope to see you at booth #1215!
FYI, the subscriber copies of Alter Ego #70 and Back Issue #23 are either at the mail house, or in the postal system now. Our copies of Draw #14, Write Now #16, and Rough Stuff #5 haven’t arrived yet, so they’ll (alas) have to be shipped when we return. But since I know all our subscribers are taking advantage of our FREE Digital Editions for subscribers (simply by making sure we have their email address), the extra wait won’t be a problem for anyone. (For the record, Alter Ego #71 is already at the printer, even though #70 is just shipping this week; but again, subscribers can download #71 for free right now, even though it won’t be in stores for three more weeks. If you’re not a subscriber and you just can’t wait for it to hit your local comic book shop, you can get the Digital versions for $2.95 at our website.)
We’ve got three books that, unless FedEx screws up, will debut at Comicon: Modern Masters Vol. 12: Michael Golden, John Romita…And All That Jazz, and Comics Introspective: Peter Bagge. I’ve seen a lone sample copy of each one, which arrived today from our printer, so those’ll be waiting for us when we get home too (and will go in the mail shortly thereafter). Thanks to everyone for your patience while we get a well-deserved break!
And lest you think all we do on these trips is talk comics, we just wrapped up the design on our biggest advertising client’s Annual Report, and sent it to press today. So our printer will have to ship us proofs to OK, so it can be printed while we’re away. Sometimes it just never stops… and if it ever does, I wouldn’t know what to do with myself!
